Driven by the leading force of intuition, I play games; trick the mind, generating a territory for the unexpected. I am exploring sculpture in its rawness and animated nature, playing with textures, material composition and form. 

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I developed a profound interest in the body-as-instrument; the way sound is produced; and what that internal landscape looks like. The seed started to grow as I began an investigation of the anatomy of the inner body and its forms, finding and imagining hidden portals, inside our neck, vagina, eyes, and chest; thinking about the felt body and translating it to a visual ground. Exploring different mediums, (sculpture, sound making, performance, writing, and drawing) searching for the core, the most intimate, hidden, and sometimes denied parts of one’s self. 

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The patterns we find inside our bodies are similar to rock formations, mountains, insects. What occurs outside, happens inside, and vice versa. The process of making opens the door to question and understand transition: the liminal space between something ending and becoming something else. 

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Constructing by layers, adding, removing and adding again: nothing is permanent. The layers collide, dissolve, find each other and take their own ways. Moving away from the quick aesthetic of the un-touched, I give time and importance to each process, treasuring craft as a cultural heritage and social necessity of our time.